Showing posts with label lubzimusic. Show all posts
Showing posts with label lubzimusic. Show all posts

Tuesday, October 20, 2009

Empathy for Blending of Emotions: Discord, Resolve & Celebration. Lubzi's muic is featured on DocrRmy's #musicweeklycelebtation

This post in copied entirely from Dj DocRemy - it was posted on Saturday, October 3, 2009 , the weekend that she featured my music :) !

I am super thankful to Dj DocRemy for her great show and for featuring my Audio Art track : October 22.  Here is a link to Dj DocRemy's original post where you can check other very cool music and listen to October 22.
here is the Original October 22 piece uncut :




Oct 22 - Lubzi*

Here is what Dj DocRemy  said on her blog:   
"DjDrRemy - @Lubzi: Empathy for Blending on Discord-Resolve-and-Celebration by DjDocREMY

This #WeeklyMusicCelebration set is featuring our talented friend @Lubzi. I specifically name it: Empathy for Blending of Emotions: Discord, Resolve & Celebration. And the following is what @Lubzi explains about her music: 

“The track name is “Oct22”. In fact it is about September 11. I called it October 22 because in those days (2002) Arabs living in the west couldn’t even discuss 9/11 without receiving at least accusing looks. So I was being ironic on the terrorizing of Arab immigrants in the name of fighting terrorism. 
In the beginning, things are moving in a steady pace somewhat peaceful and then all of sudden the world blows up and all the crazy events that happened afterward were too overwhelming and surreal: that is how 911 went and what I am expressing in the track.I did not have specific goal in mind: Only let my emotions take the helm as I had a load of hard to handle feelings about 9/11 and I needed to wear my heart over my sleeve.My hope is that people would feel some of my feelings….” 

As for me, I picked this track of Lubzi’s (out of the 5 tracks she sent me) as somehow I resonate with the tune though I had no idea what the tune means – not until she tweeted me with the explanation.

On this set, I have added how I feel for her music as you may catch it at ~2:24 mins. then her track resumes at ~3.49 mins. I remix “Daft Punk” songs for two reasons: 
1) It is entirely electronic sound – This is to emphasize how technological science of music program allows us to produce music. 
2) It resonates how our humanity become stronger as a human race, faster in technology and outreach of communications which allows us to share and have more empathy as we try harder by the closing song which is a celebration to our spirit of Being - as One."

So Say We All ....

So Say We All ....

Tuesday, December 4, 2007

Moon Over Buffalo sound design




I'm have been working on the sound design of a play called Moon Over Buffalo . I am finishing up the work. I totally enjoyed learning about the music of the 50s , every time I work on a play I learn so much. At the beginning it is hard to absorb music I am not used to, but eventually it grows on me and I learn to love it. I am almost done. There was a last minute change that I put in yesterday, I worked for 9 hours straight, but that is OK because I love this kind of work. It seems like I cannot have enough of it. I only slept 3 hours last night, so I am exhausted and I had to miss the rehearsal - which is unfortunate because I just love attending the rehearsals.
So the suggested change was around the 1st song in the curtain call. Check it out below in the mp3 player widget. I have 3 versions here. The truth is that I am not fond of the last version, I dont find that the first song fits well within the overall context musically. It sounds very different that the rest of the music in the other pieces. Unlike most of the music that I used in this production this song is not from the 50s (I think it is from the 30s at least).
I actually like the song, I can totally see why the director wants it there, I am just concerned that with the applause people wont get to hear it. I also dont find that it has enough energy for a curtain call song, where I would like to capitalize on people's energy and excitement and pump more into it with the music. This one it is not grand enough, especially for this high energy farce about crazy melodramatic theatre actors .
Anyway, I like giving options to directors I work with , I am offering the 3 choices and eventually the director gets to pick the one that will end up on the show.
Let's see what he will say. Maybe we will end up with a 4th piece. :)

Powered by eSnips.com




Moon Over Buffalo
From Wikipedia, the free encyclopedia
Moon Over Buffalo is a comedy by Ken Ludwig set in Buffalo, New York in 1953.

Characters
* George Hay, a traveling actor.
* Charlotte, George's wife and actress in his company.
* Rosalind, George & Charlotte's daughter, who left the stage to lead a "normal" life.
* Howard, a TV weatherman and Rosalind's fiancé.
* Paul, stage manager for George's company, and Rosalind's ex-fiancé.
* Ethel, Charlotte's nearly-deaf mother.
* Richard, a lawyer who is courting Charlotte.
* Eileen, an actress in George's company who is George's "mistress".

Overview
Moon Over Buffalo relies heavily on situation comedy for its humor, as well as some sexual innuendo and a little slapstick. The actor who plays George, in particular, must be able to deliver a highly physical performance; George engages in a mock fencing match with Charlotte, a wrestling match with Howard, and a stunt fall into the orchestra pit. The action and dialogue are fast-paced, as the characters are constantly bickering or frantically trying to resolve some confusion.

George and Charlotte Hay, traveling actors, are performing Cyrano de Bergerac and Private Lives in a repertory theatre in Buffalo. Charlotte has grandiose dreams of becoming a Hollywood film star; George, on the other hand, is quite satisfied as a stage actor, and sees live theatre as being superior to film.

George receives a phone call from Frank Capra, a very famous film director, who says that he needs replacements for the two stars of his current film, The Scarlett Pimpernel, and that he plans to see one of George's shows and consider George and Charlotte for the parts. Charlotte, however, doesn't believe George when he gives the news; she has just learned that George has had an affair with one of their actors, Eileen, and that Eileen is pregnant with George's child. To further complicate issues, one of the actors in George's company walks out. Soon after, Charlotte leaves George and the company to be with Richard, the successful and charismatic lawyer. George, despondent, gives up hope and turns to alcohol to drown his misery.

When Charlotte hears the news about Capra losing his actors, she returns to the theatre, only to find that George has left. Charlotte and Rosalind, her daughter who has recently come to visit, contact all the bars in the city, looking for him. They can't find him, but Charlotte does meet Howard, Roz's new fiancé, whom Charlotte's hard-of-hearing mother mistakenly introduces as Frank Capra. Thinking that Howard is the famous director, Charlotte gives him the "red carpet" treatment, for which Howard is grateful, but confused. And when George returns, he believes that Howard is actually Eileen's brother, seeking revenge for George's affair with Eileen. In what he thinks is self-defense, George ties up the innocent Howard and locks him in a closet.

When Charlotte and Roz finally meet George again, they try to get him prepared for the afternoon's showing of Private Lives, which Capra intends to see. George, in his drunken stupor, decides he would rather do Cyrano, and dresses appropriately. The resulting show is a disaster, as George is several minutes late to arrive onstage and in the wrong costume and character. In the end, Howard, still bound in ropes, hops onstage and calls out for help; then George falls into the orchestra pit, twisting his leg and presumably breaking a few instruments.

After the show, a sober George offers his apology to Howard. Howard is not satisfied, though; his encounter with Roz's parents frightened him away from staying engaged to Roz. He announces that he and Eileen have decided to get engaged instead, and eagerly plan to start a family right away. Howard isn't aware that Eileen is already carrying George's child, but Eileen seems satisfied to keep him in the dark. Paul, now that Roz is now single, takes the opportunity to (almost literally) sweep her off her feet, and they get engaged again on the spot. Charlotte forgives — or at least forgets — George's infidelity and decides to stay with him instead of Richard. Finally, in a deus ex machina-like plot twist, Capra himself calls to say that he missed the afternoon performance and will instead see the show in the evening, thus allowing George and Charlotte another chance at Hollywood stardom.

Production
Moon Over Buffalo opened on Broadway at the Martin Beck Theatre on October 1, 1995, where it ran for 309 performances, after 22 previews and an out-of-town tryout in Boston.

A video, Moon Over Broadway, was made, following the show through the rehearsal period and the Broadway opening.